Crocodile
Pietra Brettkelly & Chelsea Winstanley | Film
International Te ao
Overview
THE NEW TARGET
Reaching our new target will mean on our lean budget
- We can keep our current editor on full-time to rough cut and onwards to fine cut and completion of the film
- Engage another editor to work alongside us, to keep the momentum high towards completion of the rough cut
- To film our final scenes in Frankfurt and Nigeria as the Nigerians head towards the first day of filming on their first feature film
- Allow Pietra to push her creative vision for the film by commissioning the scifi elements in the scenes to take the film into magical realism
- Work with international story consultants to workshop the film’s storylines, to hone in on the strongest scenes
- Research and commission the music sound track
- To create marketing materials for film festival submissions
- To complete all translations of the footage, the subjects speak three different languages
US CAMPAIGN PAGE
We’ve also launched a donation page for United States residents through a US charity, so you also will be sent a tax receipt of your charitable donation for income tax. Please use this link here: https://pietrabrettkelly.wedid.it/campaigns/11242-crocodile
FILM LOGLINE
They live in a town called CROCODILE. Nine kids rising out of the swamp of drug trafficking and scamming, rewriting their future... and setting it in a 2049 scifi world. A coming-of-age documentary film from three times Oscar selected and Sundance award-winning NZ filmmaker Pietra Brettkelly and Oscar nominated producer Chelsea Winstanley, the first ever indigenous woman to receive that accolade.
YOUR SUPPORT IS VITAL
In their films they are super heroes. We believe in real life they're super heroes too.
This is a coming-of-age film like no other. This is my 6th documentary feature and with every film I make I challenge and advance my craft and bring many New Zealand film practitioners with me. Unfortunately neither the NZ Film Commission nor NZ on Air are able to fund films where the subjects are not New Zealanders. And so I am reaching out to you.
NZ income earners qualify for a 33% tax credit on their donations from the IRD.
And anyone in the US we have a fiscal sponsor there you can donate to us through so you too can receive tax rebates. Contact Chelsea and I directly.
EXCITING NEWS
Oscar-nominated producer Chelsea Winstanley (JOJO RABBIT, Merata: How Mum Decolonised the Screen) has just joined the project bringing her wealth of experience and creativity to the film.
BACKGROUND
I started filming this extraordinary group of sisters, brothers, cousins in a small town in the middle of Nigeria 3.5 years ago. I flew out on my own after sadly my camera person pulled out, concerned with the security. But I knew this would be an amazing story of hope and magical realism. These kids needed highlighting. And my tenacity cannot be silenced.
At the start of filming the subjects were aged between 5 and 18 - Godwin, Raymond, Rejoice, Victor, Rachael, Lil Rachael, Ronald, Richard and Lawson - and together we have continued on the project through everything that life has thrown at us including the pandemic, typhoid, distance, financial struggles, floods, lack of power, being thrown out of home... but above all a combined love for this film has carried us through. And uniquely I've also given these young subjects 50% ownership of the documentary and all its profits.
Amazingly JJ Abrams (director of numerous Star Wars films) heard about the kids and sent camera equipment to support their filmmaking.
WE NEED YOUR HELP
I have been self-funding this extraordinary, intimate, captivating film for over three years, and have been editing now for five months. This film I know has the power to be at least as successful as both mine and Chelsea's previous feature films which have premiered at five of the world's top six international film festivals - Berlinale, Toronto, Venice, Sundance and Tribeca Film Festivals - before screening all over the world.
But Chelsea and I need your help towards
- 25 weeks editing, to complete the film to rough cut stage with my talented Auckland editor
- to film the opening of an multi-room exhibition on their films 31 March at the Museum of Modern Art, Frankfurt, Germany
- to complete the translations (I found a fabulous PHD student at Massey University from Nigeria so your support will also support him)
- to commission the Nigerians to make the special fx 'magical realism' elements in the film
- to workshop the film's rough cuts with our story consultants and international advisors to ensure robust and rigorous development of the film
- to research the music soundtrack of the film
- to continue filming up until the young Nigerians roll camera on the first day of their first scifi feature film, stepping bravely away from short films
Ideally we need $100,000 but any funding this film receives, we would be so grateful to you. Because Boosted is an all-or-nothing we're setting the amount lower than what is needed ... and have high hopes.
EVENTS
If anyone is interested in hosting a group of friends at their place, we can play an exclusive clip from the film for you, tell a few stories from our careers, and hopefully reach donors beyond the people we know. It would be a fun event... let us know if you're interested.
THANK YOU
In recognition of your valuable contribution you will be kept informed of our progress throughout the making of the film and its release. All donors will be offered a credit of thanks on the film's end credits.
This project has been a huge labour of love for our entire team to get to this point. We are humbled and grateful for any support you can offer. E mihi ana ki a koutou katoa.
TAX CREDIT
Remember donations qualify for a tax credit: NZ income earners qualify for a 33% tax credit on their donations from the IRD with a receipt automatically provided by The Arts Foundation (as The Arts Foundation is a registered charity) for any donation made.
Donors
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Kim Johnston
Good luck guys!
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Anonymous
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Briar March
Can't wait to see the film
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Kate Dobbin
Bravo Pietra and Chelsea! X
Project Updates
CROCODILE goes cool …
Ahiahi mārie e te whānau o Crocodile.
I am now back in Aotearoa New Zealand, and happy to have launched CROCODILE in such a beautiful way at Berlinale Film Festival - but oh so pleased to be warm again! The five Nigerians who are the main subjects of the film met me there along with our extraordinary friend and Executive Producer Chelsea Winstanley with her wisdom and her laughter. As one of the Nigerians, Raymond said "Chelsea, you made it even cooler".
It snowed for most of our Berlin time and that was a shock for all. How to prepare that biting cold and describe snow to those who've never experienced it before?!?
All our screenings sold out in 15 minutes of the tickets being released to the public which was crazy, with our World Premiere at the largest cinema in Berlin, and another cinema underground in a former crematorium (!). The Q&As were emotional, and quite wonderful with standing ovations to kick them off, which was truly humbling.
It was a magical experience - our film was on the cover of a magazine, we took the opportunity to go to other filmmakers’ films, a lot of talks and galleries, a visit to the NZ Embassy, we announced Sir Idris Elba as another EP, all while introducing the Nigerians to the mad world of international filmmaking and markets, and walking that historical city.
Friends and family came from London and Dublin to help us celebrate - thank you Finn, Dave, Rob, Camille and Nigel - and the film's composer, Tom Third, from Toronto.
Here are a few photos of our 10 days together in Berlin, finishing with a night out 10 Pin Bowling - as the Nigerians said to me, we can go to a film or a party at home, but we can’t go 10 Pin Bowling! And yes that scoreboard does show I won the first round.... missed my calling?
The reviews are now coming out:
"Brettkelly manages to transmit their infectious bravado and growing success ... offering a reading of their sci-fi obsession as an escapist search for solace". Filmmaker Magazine
"There is an urgent, even frenetic tone to much of The Critics’ work. Brettkelly wanted to maintain that energy for the documentary.” Deadline magazine
"Director Pietra Brettkelly ... convincing plea for the power of imagination and the joy of design. The audience leaves the cinema elated.” Festival Blog
"Pietra Brettkelly ... freewheeling delve into their world, based on imagination, experimentation and community”Business Doc Europe
"At a time when it seems like technology and global connectivity have only created greater insularity, "Crocodile" demonstrates impressive reach, both in conveying how far stories can travel and how potent creative expression remains in creating community.” Stephen Saito, The Moveable Feast
Ngā mihi nunui ki a koutou katoa!












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Pietra Brettkelly & Chelsea Winstanley
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