The works of Greek New Zealand composer John Psathas (born 1966) emerge from a truly dazzling 21st century backdrop, where dynamic collaboration with creative masters from all corners of the physical and artistic globe result in outcomes that are visionary, moving, and inspired.

From genre-crossing projects with jazz legends Michael Brecker and Joshua Redman, to an innovative e-book scoring collaboration with Salman Rushdie, from an unforgettable recording session with the Grand Mufti in Paris's Grand Mosque, to a Billboard classical-chart-topping album with System of a Down front man Serj Tankian, John's musical journey weaves through a myriad of genres, and has moved concert audiences in more than 50 countries on all 7 continents (yes, even Antarctica).

Early career collaborations included working with such luminaries as Sir Mark Elder, Kristjan Jarvi, the Takacs Quartet, Lara St. John, the Netherlands Blazers Ensemble, Dame Evelyn Glennie, Edo de Wart, Joanna MacGregor, Pedro Carneiro, the Halle Orchestra, The New Zealand Symphony Orchestra, the Strasbourg Philharmonic Orchestra, Symphony Orchestra of Emilia Romagna "Arturo Toscanini", the BBC Scottish Symphony Orchestra, and many more. Then followed a period of intense creative exploration in the worlds of electronica and jazz, and a series of mega-projects (such as scoring much of the opening ceremony of the Athens 2004 Olympic Games). All of which has led to an explosion of first-hand collaborations with artists from dozens of musical traditions spanning Asia, Europe, North and South America, Africa, and Australasia.

John is now developing projects that integrate the many strands of this creative journey. Much of his recent work has social and historical commentary at its core. The film White Lies (original film score) depicts a head-on clash of beliefs and the nature of identity in early NZ European settler society. Between Zero and One is inspired by ancient and modern rhythms, and brings musicians from around the world into the concert space via interactive projection, transforming and challenging the traditional experience of fixed-location, temporally-contained performance. 100 Years (in collaboration with the world's most famous living Armenian, Serj Tankian) is an unflinching exploration and remembrance of the Armenian Genocide begun in 1915. Most recently, the epic and experimental No Man’s Land project overtly challenges the accepted handling of WWI commemoration. No Man's Land involved filming and integrating 150 musicians from more than 25 different countries, including Oum El Ghait (Morocco), Meeta Pandit (India), Bijan Chemirani (Iran/France), Marta Sebestyen (Hungary), Vagelis Karipis (Greece), Refugees of Rap (Syria), and Derya Turkan and Saddredin Ozcimi (Turkey).

John's music has achieved a level of international success unprecedented in New Zealand history, and he is also now considered one of the three most important living composers of the Greek Diaspora.

He received a Laureate Award in 2003.


John Psathas talks about his attempts to create a "living, breathing feeling in [his] music. To make it human; to create a sense of the human voice".
John commuted several times between Wellington and Athens to work on the music and supervise the rehearsal process.
Ian Dando writes about John Psathas for the 'New Zealand Listener'.


Amongst talk of collaboration, inspiration and...tree stumps, composer John Psathas (Laureate, 2003) revealed some big news when we caught up with him recently - he is leaving Te Kōkī New Zealand School of Music, at Victoria University after nearly 25 years as a lecturer to pursue composition full-time.
Arts Foundation Laureate John Psathas has spent the last year travelling around the globe, bringing together some of the world's finest musicians for what will be one of the most important works of 2016 - 'No Man's Land'.
"Between Zero and One" is the title track of the show with the same name, premiered by New Zealand's Strike Percussion.
KYOTO - composed by John Psathas for the Ju Percussion Group on their 25th Anniversary and premiered by the Ju Percussion Group at the 2011 Taiwan International Percussion Convention.
The winner of the Michael Hill competition (New Zealand work category) was Richard Lin. Here he is playing "Gyftiko" by John Psathas


New Zealand Composer John Psathas (Laureate) talks about his recent Booktrack for Salman Rushdie's' In the South' on Radio New Zealand's 'Upbeat' Tuesday 28 February 2012 .


The music of John Psathas has a special place with the Rattle Records catalogue. John and Rattle have grown together. They have been mutually supportive for nearly 20 years.
Born Wellington - grew up in Taumaranui (to aged 8) and Napier (to aged 17). Studied piano and composition at Victoria University. Studied in Belgium with Jacqueline Fontyn.
Received MMus (Victoria University). Double Edge premiere Piano Duo at Alice Tully Hall, New York.
Evelyn Glennie and Philip Smith perform Matre’s Dance at NZ Festival
Quadruple Percussion Concerto premiered by the New Zealand Symphony Orchestra with Evelyn Glennie, Robert Gmachl, Gunar Fras, and Norbert Rabanser Rhythm Spike premiered by Peter Jablonski at the New Zealand Festival
Asian Composers League Young Composers Award - Matre's Dance Island Songs premiered by the Kandinsky Ensemble in Wellington, New Zealand.
Abhisheka premiered by the New Zealand String Quartet Stream 3 premiered by the New Juilliard Ensemble directed by Joel Sachs, at the Lincoln Centre, New York.
Seikilos premiered by the BBC Scottish Symphony Orchestra conducted by Kenneth Young, at Greyfriar’s Kirk, Edinburgh. Te Papa Fanfare performed as first visitors enter the Museum of New Zealand. Ceremonial music for the official opening of Te Papa, the Museum of New Zealand (Fanfare).
Susan Achilles premieres Jettatura at the MM::99 Festival, Ludenscheid Rhythm Spike album released by Rattle Records Classical CD of the Year - Rhythm Spike
Rhythm Spike - Best Classical Album, NZ Music Awards Omnifenix premiered by Michael Brecker and Masimilliano Guono (drumset) with the Orchestra Sinfonica dell’Emilia Romagna ‘Toscanini’ conducted by Marcello Rota, Bologna.
NZSO SOUNZ Reading - Seikilos Quadruple Percussion Concerto performed at the Klangspuren Schwaz Festival in Austria, by Evelyn Glennie, Robert Gmachl, Gunar Fras, and Norbert Rabanser Psyzygysm premiered by Pedro Carneiro and Stroma at the NZ Festival, Wellington
View From Olympus premiered by the Halle Orchestra conducted by Sir Mark Elder, with Evelyn Glennie and Philip Smith, Bridgewater Hall, Manchester. SOUNZ Contemporary Award for View From Olympus double concerto Orpheus in Rarohenga premiered by the New Zealand Symphony Orchestra, Orpheus Choir, Jenny Wollerman, Richard Greager, and David Hamilton
IAMIC ‘Sounds of the Year' - Jettatura; Awarded Arts Laureate of NZ Fragments album released by Trtust Records Classical CD of the Year Fragments Three Psalms premiered by Stephen Gosling and the New Zealand Symphony Orchestra conducted by James Judd
Zeibekiko concert premiered in Amsterdam by the Netherlands Blazers Ensemble with Mano Achalinotopoulos and Vagelis Karipis. CD/DVD Project View From Olympus'is celebrated as  biggest ever orchestral recording in NZ Zeibekiko Album released by NBE Live Composer for the Athens 2004 Opening and Closing Ceremonies SOUNZ Contemporary Award for Three Psalms piano concerto
Awarded Officer of the Order of New Zealand Merit One Study One Summary premiered by Pedro Carneiro at the Rhythm Sticks Festival, London Zahara premiered by Federico Mondelci, and the New Zealand Symphony Orchestra conducted by David Atherton.
View From Olympus CD and DVD released by Rattle Records Helix premiered by the New Zealand Piano Trio
Classical CD of the Year - View From Olympus A Cool Wind premiered by the Takacs Quartet Planet Damnation premiered by Laurence Reese and the New Zealand Symphony Orchestra conducted by Edo de Waart
Olympiad XXVIII premiered by the New Zealand Symphony Orchestra in the Forbidden City, Beijing. Premiere of Little Bushman with the Auckland Philharmonia Orchestra
Djinn premiered by Pedro Carneiro and Orchestra Wellington conducted by Marc Taddei Serj Tankian’s Elect the Dead Symphony premiered by the Auckland Philharmonia conducted by Hamish McKeich
Ukiyo album released by Rattle Records Super-City Fanfare performed as part of the Inaugural Ceremony of Auckland’s Super City. Good For Nothing feature film released Elect the Dead Symphony album released Little Bushman Live in Concert with the NZSO album released The New Zeibekiko premiered with the Auckland Philharmonia Orchestra, Petros Kourtis, and Manos Achalinotopoulos
In the South, eBook score collaboration with Salman Rushdie, launched. View From Olympus feature documentary Helix album released on Rattle Records Flight on Light album released on Rattle Records Kyoto premiered by the Ju Percussion Group, Taiwan. Harvest Suite, with Adam Page, premiered in Wellington Pounamu, with Warren Maxwell, premiered with the Auckland Philharmonia
Good For Nothing (OST) album released My Love Awakes and The Pain Will Find Us, premiered by Lara St John. Mantis: The Music of Drew Menzies album released on Rattle Records
White Lies (OST) album released on Rattle Records White Lies feature film released Between Zero and One premiered by Strike
Awarded Higer Doctorate from Victoria University in Wellington Penelope Waiting, collaboration with Tarek Assam, premiered in Germany Dialogos featuring the Chris Mason-Batley Group, premiered at Auckland Arts Festival Calls Me collaboration with The Nudge 100 Years with Serj Tankian, released online.
Dialogos, album released on Rattle Records
No Man’s Land feature film and live show premiere
No Man's Land album released online Cloud Folk premiered by Eastman Percussion Group at PASIC 2017
Voices at the End, partial premiere at Snape Maltings, Aldeburgh.