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Laureate Award
John Pule
John Pule
Visual Artist and Poet
  • John Pule
  • Biography
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Related links

Karen Woodbury Gallery, Melbourne;
Gow Langsford Gallery, Auckland;
NZ Book Council

Milestones
  • 1962   
    Born Niue, South Pacific
  • 1964   
    Moved to New Zealand
  • 1992   
    Published The Shark That Ate the Sun
  • 1996   
    Waikato University, Hamilton Writer-in-Residence
  • 1997  
    University of Canterbury, Christchurch, Writer-in-Residence
  • 1998   
    Published Burn My Head In Heaven
  • 2000   
    Auckland University Literary Fellowship
  • 2001   
    University of Hawai, Writer-in-Residence
  • 2003   
    Cultural Museum, Rarotonga, Artist-in-residence
  • 2004   
    Arts Foundation Laureate Award
  • 2005   
    Galerie Romerapotheke Art Residency, Zurich, Switzerland
  • 2006   
    University of South Pacific, Suva, Writer-in-residence
  • 2010   
    Hauaga: The Art of John Pule
    , published by Oxford University Press, coinciding with first major survey exhibition - curated by City Gallery Wellington

Biography

John Pule - Visual Artist and Poet

Born in the village of Liku, Niue, John Pule moved to New Zealand with his family in 1964.

He began writing in 1980 after reading the works of New Zealand poets and has since published two novels: The Shark That Ate The Sun (1992), Burn My Head In Heaven (1998); and four books of poems: Sonnets to Van Gogh (1983), Flowers After The Sun (1984), The Bond of Time (1998), Tagata Kapakiloi (2004) and he co-wrote Hiapo: Past and present in Niuean barkcloth, a study of a traditional Niuean artform, with Australian writer and anthropologist Nicholas Thomas (2005). 

He began painting in 1987 and exhibiting in 1989, participating in the first important exhibitions to showcase Pacific Island art - Te Moemoea No Iotefa (1990) and Bottled Ocean (1994). He participated at international art biennales in Johannesburg (1995), Kwangju (1995), Asia Pacific Triennial (1996 and 2002), Paradise Now! (2004), South Pacific Arts Festival (Western Samoa 1996, New Caledonia 2000, Palau 2004).

Other group exhibitions include the Future Tense: Security and Human Rights, Griffith University, Queensland College of Art, Brisbane, 2005; Te Moananui a Kiwa, Auckland Art Gallery Toi o Tamaki, Auckland 2005; News From Islands, Campbelltown Gallery, Sydney 2006; The 5th Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane; and Tribute, Auckland Art Gallery Toi o Tamaki, Auckland 2006; Turbulence: The Third Auckland Triennial, Auckland Art Gallery Toi o Tamaki, Auckland, 2007 and Dateline: Neuer Berliner Kunstverein, Berlin, Germany, 2008.

John Pule's many solo exhibitions are in essence narratives of history and place, as are his novels and poetry. All are extensions to a non-going project to record his family history into an Aotearoa and Pacific context, combining elements of poetry, prose, drawing,printmaking and painting to maintain his routes/roots to the Pacific.

Recent solo exhibitions include Niniko Lalolagi - Dazzling Worlds, Gow Langsford Gallery, Auckland (2004), John Pule, Galerie Römerapotheke, Zurich (2005), Another Green World, Gow Langsford Gallery, Auckland (2006). Recent paintings, Karen Woodbury Gallery, Melbourne (2007) and Nothing Must Remain, Gow Langsford Gallery, Auckland (2009)

John Pule: Hauaga (Arrivals) a major survey show of John Pule's art was put together by the Wellington City Gallery in 2010, and is subsequently touring other New Zealand galleries.

John Pule has been artist-in-residence at the Cultural Museum, Rarotonga and has held the Romerapotheke Art Residency in Basel, Switzerland.  He has been the Waikato University Writer-in-Residence and received the Auckland University Literary Fellowship.  John received an Arts Foundation Laureate Award in 2004.


What is perhaps most remarkable about John’s paintings, is their fusion of cosmology, cartography, biography and corporeality. Peter Simpson has observed that “in his fiction he adopts techniques which are loosely but suggestively analogous to his paintings… that his work in whatever medium contributes to a multiple but unified project: it is his impassioned vocation to record his family stories”.

(Landfall, Spring 1998, p.316).

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